Sarah's Books - Used & Rare

Due to be published in October, Mark Helprin's new novel, In Sunlight and In Shadow.  720 pages.  I don't think I can wait until October, that's like, months away. The Houghton Mifflin Harcourt Fall 2012 catalogue uses the dust jacket image as its front cover.  So I am guessing this book will receive heavy promotion.  Anyone giving out advance reading copies?  (Not too proud to beg.)

I have searched the internet in vain and much as I hate to say this, the only place I find an excerpt is on Amazon.  So here it is, scroll down to the Editorial Reviews area for the Prologue and beginning of Chapter One.  I plan on buying my copy directly from the author himself.  

Well, something new to get used to.  Blogger has finally changed my posting format for me and here I am flailing around like a fish out of water.  Attempting to post anyway!  (I know change is inevitable, but sometimes, lord, I dislike change.)  I hope the blog itself will remain the same.  I have resisted updating the format for years now, and I feel like gently continuing this resistance.  I do not usually favor "new and improved" in general.  But enough grousing.  I had a wonderfully unexpected mini-vacation last week and wanted to mention some of the details.  One detail:  


How I do love an urn and some shrubbery!  A bit of spring coming to Ipswich, Massachusetts.  I took a trip there with my younger sister and my mother, who recently turned 70.  She is (as am I) something of an Anglophile, and our plan to take a trip together to celebrate her birthday coincided with a lecture at the Crane Estate in Ipswich that she dearly wanted to hear:  Sir Simon Jenkins, current chairman of the National Trust, spoke for an hour to a sold-out room about country houses and why/how they remain relevant.  It was a charming respite from muddy, chilly Maine - the weather was divine, the beach close by, fruit trees were in full flower - overall a real idyll.  No time to buy books anywhere, we were too busy sitting on the porch of the Inn at Castle Hill, doing nothing in particular and talking about everything under the sun.  To heck with the new - thank goodness for the old and improved.

A long-time reader brought something special to my attention recently and I spent copious amounts of time exploring this gem of an online exhibit, courtesy of the Harry Ransom Center: The Greenwich Village Bookshop Door: A Portal to Bohemia 1920-1925. Bookseller Frank Shay knew all the good people (and most of the bad) in literary 1920s New York, not least among them our old friend Christopher Morley, who signed Shay's famous bookshop door both as himself and as his alter-ego John Mistletoe. Included in this exhibit, and what kept my attention the longest, is Morley's 1921 diary, fully scanned and completely readable in what is one of the nicest, most natural-feeling e-readers I've seen yet (not that I've used many, mind you, I still prefer a good old book in my hands). A bit from the diary - Sunday November 27th, 1921:

"How astonishing is the perpetual liveliness of the mind, skimming among visions and projects, coming hauntingly near Truth sometimes but always thwarted by that mysterious veil and cloudiness that hides the Essence."

High-flying thoughts such as these are mixed in with worries about the family budget, complete with columns and numbers scribbled out. Alongside who he would meet for lunch. In other words, the diary runs the gamut from the boringly mundane to the completely profound, just as we'd want it to. My heart broke in a thousand small ways as I read about his striving and worrying, his determination and humor, his gossip and opinions. Amazing that this diary wasn't lost or destroyed, doubly amazing that the door itself wasn't either. Highly recommended, if you have at least a few hours to spare. (Thank you, Antony.)

I'm particularly happy to welcome spring this year, since around here this winter was one of prolonged illness. Nothing that serious for people, save bouts of the flu and a regular old cold shortly thereafter, but for Hodge the beloved cat, an emergency surgery and many days of anxious recovery had our household extremely unsettled.

Thus, as I sat with one hand hovering over a box of tissues and the other hand holding kitty-cat antibiotics, I sought reassurance and hope. Not to mention distraction. In other words, books for an ideal convalescence. Hodge and I spent many February afternoons sitting together in patches of sun, me reading, him napping, both of us recovering. Of course, since nothing is so reassuring as rereading (o the familiar and the loved), I must begin this short list with one of my favorite books for all time, The Secret Garden by Frances Hodgson Burnett. My reading copy is illustrated by Nora S. Unwin (Lippincott 1949) and I treasure it simply because this is the edition I knew and loved as a child, and read so often and so thoroughly that the book literally fell apart at the seams. The spine is missing, the first twelve pages are missing, the covers are frayed and the whole book resembles a peeled piece of fruit. I got every last drop of life out of it, I think. I still own that copy, but in recent years I bought a new (old) copy, the one pictured here, intact and much more readable. The cover, with its trailing ivy and keyhole, still thrills me. And the story itself? It travels known ground: death, illness, loss, loneliness - all those long winters of the heart - and then, with the coming of spring, arising from the sickbed, choosing life, turning to nature as a source of healing and resurrection.

I also read Of Flowers and a Village: An Entertainment for Flower Lovers by Wilfrid Blunt (a lovely facsimile reprint, pictured here, of this 1963 book is currently available from Timber Press). The structure of this novel is charming: a recently-retired widowed gentleman buys a house in the country with enough room to truly garden to his heart's content, and writes lovely long letters to his bed-ridden god-daughter, to keep her amused during her convalescence. The letters tell us all the gossipy details of village life, alongside lectures about flowers and flower gardening. Blunt (for the narrator is he, thinly disguised) says he is not a plant snob, not a "haughtyculturalist" (p.109) at all, and he agrees wholeheartedly with one Professor Dawson, who apparently said, "I hate Theology and Botany, but I love religion and flowers." (p.35).

I read this straight though and, as the fictional god-daughter gradually recovered her health, felt as though I was coming back to life myself. An absolute delight.

I began to suspect that the perfect recovery companions may well be British gardening books. I tested my theory and followed up these two with Gertrude Jekyll's classic Colour Schemes for the Flower Garden (having bought a nice reprint from the Antique Collectors' Club at a local library sale for $1.00). How restful to simply read about all this work and maintenance, rather than having to get out in the garden and actually do it! I mean, her garden: "The big flower border is about two hundred feet long and fourteen feet wide." (p. 124). (!!) I loved her philosophy of gardening as a fine art: "...to be always watching, noting and doing, and putting oneself meanwhile into closest acquaintance and sympathy with the growing things." (p.18) Reading this had me yearning to get to work in the garden, yet securely happy in the knowledge that I could, instead, stay inside reading in our patch of sun, since it was still winter after all.

One more book I find I must mention. I wonder if other readers of The Secret Garden ask themselves, as I always do, What happened next? Colin walks again and loves life, Mary grows into a normal happy child, the heartsick father decides to live again. And then...? Well, in reading the recent memoir of Nicholas Haslam, I have discovered one possible answer. If The Secret Garden had been published for the first time in the 1940s, as my reprint is, Haslam is Colin's contemporary, and here we find another Colin, thriving. For Haslam spent three years as a bedridden invalid, from ages 7 to 10 a victim of polio, then learned to walk again with the help of his nurse, and went on to lead a ridiculously dazzling life. His book, Redeeming Features: A Memoir (Knopf 2009), describes his picaresque adventures around the world and reads like a who's who of international celebrity. At first I suspected the book might be merely one long name-drop, but less than halfway into it the cumulative effect becomes overpowering as you realize that this is his life, these are his friends, and holy mackerel, he met or knew (and still knows) everyone who did everything everywhere. Movie stars, rock stars, artists, models, royalty, presented by a posh narrator who loves the luxe life yet retains more than merely a grain of the humble and sweet. This is escapism at its best, for the housebound. Why was this book not a thousand pages long, instead of merely three hundred? Well, we can catch up with Nicholas Haslam at his blog, or track down the documentary about his life, Hi Society, if we so desire. And we do, oh we do.

(By the way, a nice bit of reading serendipity: Wilfrid Blunt was Haslam's art teacher at Eton. I said he'd known everyone, and I meant it.)

Back on the home front, I'm happy to report that Hodge has fully recovered. I have fully recovered too, as winter becomes a memory. The books go back on the shelf and the garden beckons. The first daffodil opened today.

What books helped bring you back to life this winter, I wonder?

Winter has nearly passed in this part of the world. So, forthwith, a bit of spring news from downeast Maine. I've floundered around with my various projects over the last few months, but am happy to say I've made decent headway on all fronts.

Firstly, I must say that the book memoir I wanted to finish may be irredeemable. I worked on it and concluded that it needs much more than I can give it at this time. In fact it should be completely rewritten in some other form. I wrote most of it when I was in the throes of bookshop love, and subsequently the whole thing reads like an effusion, with no real story. Even though I do have a story (beginning, middle, end: girl loves books, girl runs bookshop, girl closes bookshop and moves on, with much more time to read). I think some time and distance will help me put things into perspective, so I am setting it aside again. Perhaps it will ripen. Then again, I've been reading Virginia Woolf, and she doesn't exactly help (much). I mean, hearing her say, in A Writer's Diary (Harcourt, Brace 1954, p.225):

"A note: despair at the badness of the book: can't think how I ever could write such stuff - and with such excitement: that's yesterday: today I think it good again. A note, by way of advising other Virginias with other books that this is the way of the thing: up down up down - and Lord knows the truth."

She speaks to her future self and to all of us, does she not? Anyway. There the book-book (as I affectionately call it) sits, in a tidy white box, awaiting more diligent time and love, which I have promised to give it someday.

Secondly, after a brief interlude of non-painting, I am back in the studio, and back outside with the return of warm weather. I've made a lot of paintings I'm very happy with, and also my new painting website is finally up and functioning. It includes a built-in blog, where I will write from time to time about art news. Comments, criticism, and/or praise are most welcome.

Thirdly, I am briefly mentioned in the current issue of Maine Home + Design magazine, in their annual Art Issue. My dear friend the painter Brita Holmquist is featured (watch her in this neat video about the making of this issue of the magazine), and in the article about her and her family home on Islesboro, there is a photograph of a few of my paintings. I've already heard from a few old friends who've seen the issue. It's only available in the print version this month, but perhaps the article will be on their website after April; I will post a link later if that is the case.

That's all for now. New post soon on the best books I read this winter. If I list mine, will you share some of yours?

Here comes another New Year's Eve. We usually opt for a quiet evening in, and this time around is no exception. I have no specific resolutions this year, other than the usual wordless hopes that seem to gather around me like friendly ghosts whenever I ponder my general situation and choices in life. This past year I think I've been so good I can hardly stand it. What else could I work on, or improve - physically, spiritually, morally? (Everything?? Again???) That seems like the kind of question, and the kind of pressure, I just don't need right now. I tell myself that I'm already doing what I am able to, and as long as I can, I will continue to do so. In short, I will remain as resolute as I always have been. So that's it then?

Well. Of course there's always something, though, isn't there, some lingering unfulfilled desire that continues to nudge at one until one takes action. I do have one specific wish, I won't call it a resolution, and I hope during the year ahead I will discover in myself the willpower to bring it to fruition: the completion of my memoir about reading, books, and the bookshop. I have a manuscript. It is five years old, flawed, and has no story, no plot to speak of. I need to add to it, rearrange it, and create closure. I know I have it in me to get this done to my own satisfaction, no matter what happens with it after that.

With this in mind, I will be taking a break from blogging for a while. Part of the fresh start that the New Year brings should always involve letting oneself off the hook, I feel, and any writing I do this winter I hope will be with a pen, on paper, with the goal of finishing this manuscript firmly in mind. If I pull this off, you'll be among the first to know. I'll be back, of course, if I have any noteworthy news. I have many other book ideas, also languishing, and am still painting, keeping my diaries, and buying and selling old books. Life goes on and for the umpteenth time I worry that my best ideas will remain merely ideas. Less than helpful, I realize, so I am going to attempt to concentrate on one page at a time and see what happens.

But as I cast around for ways to bring my bookish memoir around the bases to the general vicinity of home plate, naturally I want to postpone any actual writing, by reading instead. I just finished this, and found it very helpful:


The Autobiographer's Handbook: The 826 National Guide to Writing Your Memoir edited by Jennifer Traig, introduction by Dave Eggers (Holt 2008). It's full of timely advice and heartening encouragement from the likes of Elizabeth Gilbert, Sean Wilsey, Tobias Wolff, Nick Hornby, et al - concrete suggestions on how to get it down, in whatever form best suits your story. I can't recommend this book highly enough. It has almost convinced me that I can finish writing this damn book of mine, the one I want to be the first of many, god willing. If you are considering buying a copy of the above, please get it directly from 826 National, so your purchase will directly benefit this great group of tutoring and writing centers. And then listen to Dave Eggers's TED talk about how these centers came to be. Inspiring is often an overused word, but not by me, and so I use it here.

In conclusion - Happy New Year. Blessings on the year ahead. Let's welcome the slow but certain return of brighter days. Final words for a while, from a note in the fine book A Woman on Paper: Georgia O'Keeffe - The Letters and Memoirs of a Legendary Friendship by Anita Pollitzer (Simon & Schuster 1988), quoting Alfred Stieglitz as he writes to Hart Crane (p.252):

"We are all after Light. So let us seek it together in an unsentimental spirit."